The Merchant of Venice

by Anna Tatelman

Created in collaboration with composer Daniel Arthur

Dive into a bold reimagining of Shakespeare's most controversial play, adapted as a musical for the first time. Witness this dark comedy created by emerging artists and featuring entirely original songs.

Inspired by the Shakespearean play, Merchant of Venice: The Musical takes place in 16th-century Venice. It's about Antonio, a merchant, and his friend Bassanio, a man who wishes to woo an heiress named Portia. To help Bassanio impress Portia with a display of wealth, Antonio makes a deal with Shylock, a Jewish moneylender, despite his distrust of the Jewish population. When Antonio is unable to pay back his loan, Shylock decides that it's time to mistreat Antonio in the same way both he and his people have been mistreated for years.

Production and Development History

Staged Reading, Amaranth Turtle Stages, November 2024

Workshop, Amaranth Turtle Stages, November 2023

Staged Reading, Celebrate Centerstage Fundraiser, Centerstage Theatre, May 2023

Workshop, First Impressions New Works group, Centerstage Theatre, January 2023

Staged Reading, UNO Playwrights' Festival, University of New Orleans, September 2019

Workshop, Creative Writing Workshop, University of New Orleans, April-May 2018 and August-December 2019

“I think the music and book meld wonderfully. I never thought 'A song doesn’t belong here'... In general, my response is always 'Oh, cool!”

Kevin Finney
Artistic Director of Drunken Owl Theatre

“I think you’ve got something really worthwhile that is likely to have a future life.  It’s engaging and fun, and it does justice to the original, while giving it new relevance.”

Lauren Marshall
Artistic Director of Theatre of Possibility

“The musical in many ways gave a new voice to numerous characters that never had the spotlight, especially Shylock and his daughter Jessica, highlighting the numerous atrocities committed. against Jewish people. It was astonishing to me how this often hated character has so many reasons not to be hated. The reason he expressed hatred was also depicted beautifully.”

Vrindha
Journalist with The Seattle Collegian

“My first thought, halfway through Act One was, I want to go out to the lobby at intermission and buy the soundtrack. The music grabbed me from the very first number and never let me go.”

Patrick Hogan
Seattle Theatre Critic

“What a moving experience...  It's powerful and novel, despite the old source material. I loved the music. I loved the recasting of so many elements of the original play... I came away with a new take on the original and this version, that Shylock is the only character who is entirely honest. I am glad to have been told this story, and prefer it to the original. Humans can be so cruel to other humans. And they can be loving too.”

Pamela Hobart Carter
Pushcart-Nominated Writer

"The villains are great characters in showing their duplicity and hypocrisy with self-interest above all. I am even identifying with them as I realize my own flaws and colonizer/patriarchal heritage."

Anonymous feedback from an audience member

"Despite the limited staging, I felt calling it just a reading was not appropriate, because it felt as passionate and true as any musical I have seen live or in movies."

Nela de Paz
Journalist at Real Change